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Edited by the MARIO NASCIMBENE INSTITUTE In collaboration with the Italian Cultural Society. 

 

MARIO NASCIMBENE INSTITUTE 

Headquarters: areté | business center Contrada Colle S. Giacomo n. 1, 66036 Orsogna (Chieti) - Italy

Tax code and VAT number 07214111002 

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Gian Luigi Rondi

Honorary President Ad Memoriam

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Caterina Nascimbene

Honorary President Ad Memoriam

MARIO NASCIMBENE AWARD Presidents

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Marco Bellocchio (2007)

 

Giancarlo Giannini (2006)

 

Riccardo Giagni (2009)

 

Francisco José Fernandez (2013)

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renzorossellini
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micheleplacido

 

Roman Vlad (2003)

 

Renzo Rossellini (2002)

 

Luciano De Crescenzo (2004)

 

Michele Placido (2005)

MARIO NASCIMBENE AWARD WINNERS

2023

8TH NASCIMBENE AWARD

1ST PRIZE

Carlomoreno Volpini

(Impruneta - FI - Italia)

2013

7TH NASCIMBENE AWARD

1ST PRIZE
 Claudio Balletti Volpini
(Milano - Italia)

2009

6TH NASCIMBENE AWARD

1ST PRIZE EX AEQUO

Marco Russo (Latina - Italia)

Franco Talamo (Livorno - Italia)

2007

5TH NASCIMBENE AWARD

1ST PRIZE

Francesco Cerrato

(Asti - Italia)

2006

4TH  NASCIMBENE AWARD

1ST PRIZE

Not assigned

 

2005

3TH NASCIMBENE AWARD

1ST PRIZE

Federico Mantovani

​(Cremona - Italia)

2004

2TH NASCIMBENE AWARD

1ST PRIZE

Gabriele Bonolis

​(Roma - Italia)

2003

1TH NASCIMBENE AWARD

1ST PRIZE

Giuseppe Palmeri

​(Mascalucia - CT - Italia)

2002

Nascimbene composed more than 400 soundtracks

His music for timeless colossals

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1961

Barabbas

Directed by Richard Fleischer

1954

The Vikings​

Directed by Richard Fleischer

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1956

Alexander The Great

Directed by Robert Rossen

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1959

Salomone e la Regina di Saba

Directed by King Vidor

1954

The Barefoot Contessa

Directed by Joseph L. Mankiewicz

1957

A Farewell to Arms

Directed by Charles Widor​

They write about him...

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I met Mario in '51, De Santis introduced him to me while he was shooting Rome 11 o'clock, he told me that on music in cinema he had really new and original ideas...

...did experimentation in filmmaking with a lot of care and a lot of passion (...) he was brave, he could give a scene a personal and rare feel...

Gian Luigi Rondi

Movie critic


 

Ennio Morricone

Composer

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...young students in America still study Mario Nascimbene, partly because of his modernity (...) soundtrack scholars, on the other hand, remember and bring as examples the more difficult, more innovative films...

My familiarity with Mario Nascimbene is now lost in the mists of time, it seems we were both embarked on Noah's Ark and certainly witnessed side by side the coronation of Charlemagne.

Renzo Rossellini

Director

Valerio Zurlini

Director

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I am grateful to Nascimbene for the sensitivity and skill with which he was able to overcome this kind of difficulty without clipping the wings of his inspiration and without betraying my assumption.

When we worked together for the first time in 1952 on the occasion of Rome 11 o'clock, Nascimbene meant for me an encounter with professionalism.

Carlo Lizzani

Director

Giuseppe De Santis

Director

A Unique Award

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For supporting the MARIO NASCIMBENE AWARD in previous editions, we thank the

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Patronage received during the eight editions

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